LensCulture Portrait Awards 2018
First prize / series RANDY
Director: Robin de Puy
DOP: Maarten van Rossem
Edit: Björn Mentink
Gaffer: Uwe Kuipers
Studio: De Patronage
Ass. mua: Munkhjargal Altantugs
Styling: Lidewij Merckx
Assistent styling: Mark Stadman
Production on set: Mirthe van Merwijk, Paulien Koper
Assistent: Berend van Breda
Thanks: Berber Sluiter, Chuck Heerenveen, Dave van der Veen, Dirk Janssen, Dolf Middelhoff, Gerda Link, Marlies Tjarks, Noortje Laan, Revé Terborg, Nico Berendse en George Arkestein
The New Yorker
A Joyous, Mysterious Portrait of Rural American Boyhood
“De Puy’s most mesmerizing depiction of her subject, though, is not a still but one of the short films that accompany “Randy” in installation. In this video, the boy is visible from the waist up, his gaunt form jouncing through Nevada’s stark, vacant landscape. It takes the viewer a moment to realize that Randy is riding a bike, which remains invisible beneath the camera’s frame. Plain and bracing, the clip conjures the simplest pleasures of childhood adventure—the great weight of a midday sun on open roads, the satisfying rasp of a bicycle chain before curfew. A glare grazes the twin ladders of Randy’s ribs. Wind whiffles his cowlicks. The boy glides forth, his mouth wild, toward a destination that no one else can see.”
Photography: Robin de Puy
Video’s: Robin de Puy & Maarten van Rossem
Full article: The New Yorker - Photo Booth
Opening: Thursday 25 January 2018, 6:00 – 8:00 p.m.
In 2015 portrait photographer Robin de Puy (1986) travels across America on a motorcycle. During this trip, an intimate portrait emerges in text and image of both herself as of the persons portrayed. In Ely, Nevada she found Randy. He rode past – fast – but in the split second she saw him she knew: De Puy had to know who this boy was. She took his portrait, left the town a few days later, and that was it – at least, that’s what it seemed at the time. Back in Amsterdam Randy popped into her mind from time to time - it was impossible to know this boy and leave it at that single image. She looked him up again at the end of 2016, and then again in February 2017, and once more in May 2017. She turns him inside out, looks at him, stares at him and he lets her.
In the Bonnefantenmuseum, Robin de Puy is presenting this portrait of Randy in the form of an installation that comprises photos and film.